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The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
The artwork DON'T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions. The text BIRD ISN'T AT HOME SO DON'T TWEET THE DOORBELL emphasizes that the 'bird' (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection. The artwork asks the viewer whether the house is a safe haven or a prison of opinions. #DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt

DON’T TWEET THE DOORBELL

€350,00

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DON’T TWEET THE DOORBELL

  • Year: 2023
  • Dimensions: Birdhouse:  17 x 17 x 14 cm / 6.7 x 6.7 x 5.5 in
    Hanging stick:  17 x 32 x 30 cm / 6.7 x 15.6 x 11.8 in
  • Materials: Acrylic, marker, crayon on reused birdhouse / wood

The artwork DON’T TWEET THE DOORBELL plays with online discourse, particularly on platforms like Twitter/X. The wooden birdhouse has nailed-up doors, symbolizing blocked dialogue, while the attic window is open, inviting observation or anonymous opinions.

The text BIRD ISN’T AT HOME SO DON’T TWEET THE DOORBELL emphasizes that the ‘bird’ (person or viewpoint) is unavailable to respond, making any attempt to break in pointless. The piece reflects on how social media often leads to shallow interactions without real connection.

The artwork asks the viewer whether the house is a safe haven or a prison of opinions.

#DigitalDiscourse #SocialMediaArt #OnlineDialogue #InteractiveArt #ContemporaryArt
DON'T TWEET THE DOORBELL birdhouse painting in room

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Please get in contact:

Phone / Whatsapp: +31 6 46 28 50 50
E-mail: shop@frank-willems.com

COLLECTOR & GALLERY NOTES

"I was looking for new art online when I came across Frank’s work, and knew then and there I was going to buy an original piece, but ended up purchasing two, which look amazing on the wall."
Gary WilsonCollector from Australia
"My husband and I have been fans of Frank's art for many years – it's funny, colorful, and always different. By now, we are proud owners of several of his original works, and I keep discovering new pieces that speak to me. The communication with Frank is always fun and easy with every purchase! I will definitely continue to expand our collection in the future and am already looking forward to everything that’s yet to come…"
Sibylle Menzel-LeuchtCollector from Germany
"Frank's portfolio is a strong collection of works that demonstrate a unique artistic vision and a high level of technical skill. The works are visually engaging, emotionally resonant, and conceptually thought-provoking. The artist's ability to combine these elements effectively makes their portfolio a standout."
Justine FerynCurator at Hauser & Wirth | U.K.
"Frank Willems was an absolute pleasure to work with! He was consistently prompt in his responses to us and very proactive throughout the entire order process. His artworks were a perfect fit for our client’s space and we (along with our client) were extremely pleased with how everything came together. We truly appreciate his professionalism and the ease of communication!"
LiyanaThe Artling | Singapore
"Just wanted to drop you a short THANK YOU note! All artworks arrived in perfect condition and are definitely a fantastic visual upgrade for our office. Your words even prompt some of our clients for philosophical remarks...that's exactly what we wanted!! Keep up the good work "
Chris Klinger-LohrCollector from Austria
"When coming across Frank‘s oeuvre it immediately spoke to me. I enjoy the juxtaposition of what at first glance could be mistaken for kids’ doodles, but actually carries a deeper quality that encourages continuous reflection of core concepts of life."
Julian GiessingCollector from Germany
"I stumbled about the artwork from Frank Willems by coincidence and was immediately excited by the creative, bold and cool pieces. Frank was super friendly and helpful, the deal was superfast and professional. The work looks in reality even better than on his webpage. Everything top notch. Highly recommended."
Jürgen KittelCollector from Austria
"Delightful street art-style artwork that makes you laugh and think. Definitely recommended!"
NèmaCollector from the Netherlands
"We are very happy with your artwork, CRAZY BANANAS. Everyone who enters our place stops for a moment and looks at it. Great work!"
Mirjam van den DungenCollector from the Netherlands
"Frank is an amazing artist with a beautiful vision of the world. He has a big heart. His art contains a good amount of sarcasm that I really enjoy."
Willeke TimmerCollector from the Netherlands
"After three years, I’m still absolutely delighted and far from tired of my series of three art prints."
Monique BredeveldCollector from The Netherlands